entertainment π€ Nolan's Odyssey misses the point on guilt and power
Kathryn Lawson argues that Christopher Nolan's Odyssey makes a dangerous mistake by giving Odysseus a contemporary conscience. The critique, using thinkers like Hannah Arendt, suggests power rarely acknowledges its own cruelty without external forces. By adding guilt, Nolan undermines the story's ethical depth and promotes a false hope of self-correction. This contrasts with the original Homer, where violence lacks personal guilt. The film remains a reflection on modern polarization, despite mixed critical reception.